The preliminary screening was held on Friday, September 3, where eight(8) works were selected as prize nominees, and other thirty six(36) works were chosen as selected models, from the total 182 maquettes entries.
The applicants producing those selected maquettes are widely ranged from their 40th to 70th. Themes and representations of their works have a lot of diversity, and some of the works stand out to make us feel changing the times by their varieties of materials.
Five out of the eight successful entrants had been selected as the same in the past, and it will be interesting to see the competition how three newly successful entrants fare against the five past successful entrants.
The eight prize nominees are asked to produce actual works for the secondary screening, which is scheduled to be held at the end of February 2022.
|Tarou Kitagawa||Hyogo||Hyogo||Wind scenery|
|Ikuo Watanabe||Hokkaido||Hokkaido||Float in time|
|Takeharu Nakabayashi||Kanagawa||Kanagawa||Crossing lights|
|Kentaro Okada||Kanagawa||Okayama||Moon and water vein, underground|
|Sakura Asano||Gifu||Gifu||Blowin' in the Wind|
|Kaoru Ishihara||Osaka||Osaka||Untraceable Figure|
|Hisaya Mochizuki||Ibaraki||Tokyo||Into The Air|
|Gentatsu Seki||Tokyo||Tokyo||Space-time flow|